Friday, September 28, 2012

10 Classic Films for People Who "Don't Like" Classic Film

I've come across many people who do not give films made earlier than the 1970s a chance.  Most consider the pacing to be slow and the subject matter out of date, which I can agree with to an extent.  But there are exceptions, and the following are my go-to suggestions for people who THINK they can't sit through an older film:





1.  The Night of the Hunter (dir. Charles Laughton, 1955) – Robert Mitchum plays one of the most complex villains of classic cinema in this movie; a beautifully shot ode to the resilience of children.  The Night of the Hunter creates nail-biting suspense that will surprise you if you usually think “classic film” is boring.  And Lillian Gish is a badass here.






2.  The Manchurian Candidate (dir. John Frankenheimer, 1962) – This film could be a surprise to many people my generation and younger who have little experience seeing Frank Sinatra’s acting or a fantastically malicious Angela Lansbury.  This story about the aftereffects of POWs upon returning home is riveting.  Watch this version, and you’ll see there was little need for a remake.






3.  The Graduate (dir. Mike Nichols, 1967) – This is probably the most popular movie on this list in terms of mainstream appeal, especially among young adults.  The primary element in this Mike Nichols film is quite resonant today; a college grad with absolutely no plan for the future.  The Graduate helped usher in the New American Cinema, and has been (and always will be) considered a quintessential “cool” film, and has been wildly influential in addition to having one of the most memorable soundtracks, provided by Simon & Garfunkel.







4.  Some Like it Hot (dir. Billy Wilder, 1959) – Although I am not the biggest Marilyn Monroe fan, I don’t think anyone can deny the power of her on-screen presence.  In addition to that, Jack Lemmon and Tony Curtis make this one of the silliest, but most enjoyable comedies that most people with contemporary tastes would appreciate.






5.  The Women (dir. George Cukor, 1939) – I assume much of the appeal of reality television shows are the cattiness among women, scandal, drama, and the thrill of experiencing it all without having to personally be involved.  You can find all of that in The Women, but it also contains razor sharp dialogue brilliantly performed by a fabulous cast of actresses, and with much greater flair than anything you’ll see on television today.





6.  It Happened One Night (dir. Frank Capra, 1934) - Many people enjoy a good Romantic Comedy.  It Happened One Night sets the standard for this genre.  While most RomComs are instantly discarded as low-brow entertainment made with little intelligence, this film is a joy to watch.  Clark Gable and Claudette Colbert, along with the genius of Frank Capra, show us that RomComs with screwball elements can still be great films.







7.  The Best Years of Our Lives (dir. William Wyler, 1946) – This film always makes me feel totally indebted to anyone who is in the armed forces; not just for risking their lives in battle, but for having to deal with the changes war creates in them.  Wyler’s classic touches upon the trauma that veterans (and their families) face when they come home to a place where no one truly understands the terrors of war.





8.  Modern Times (dir. Charlie Chaplin, 1936) – Although this film incorporates sound effects, this is Charlie Chaplin’s last film without spoken dialogue.  This film is laden with symbolism as Chaplin uses its images to consider man’s experience dealing with technological advances, which remarkably only becomes more pertinent with time.  But also, this movie is just incredibly funny.






9.  The Naked City (dir. Jules Dassin, 1948) – This is the movie for anyone who enjoys New York in film.  The gritty backdrop is incorporated as a character in this murder mystery.  It’s like watching a documentary on late 1940s New York City.  My favorite part is the inclusion of each borough.  Most NYC movies tend to forget the outer boroughs, but The Naked City takes the viewer through the complete concrete jungle.







10.  Paris Blues (dir. Martin Ritt, 1961) – Sidney Poitier and Paul Newman play two jazz musicians who live in Paris to escape America’s lack of praise for varied music and races.  There are some great scenes of a budding beat generation, and this movie has entertaining performances in Parisian speakeasies and jazz clubs.






All of these are available either on Netflix instant/DVD, and Paris Blues is even streaming in its entirety on YouTube.  Try them out and tell me your thoughts!  Happy watching ;)





Tuesday, July 24, 2012

#MTOS Questions - Costume Design

Velvet Goldmine (Costume Design: Sandy Powell)


I'm excited to host #MTOS on this coming Sunday.  I wanted to choose something that often goes overlooked, yet is absolutely critical in film.  Many do not notice or appreciate the effort that goes into costume design, especially in terms of character and plot development.  So here are the questions I will be asking:


1.  How important is Costume Design in film? - I'll give one example for how I feel Costume Design (CD) adds depth to a character.  In The Big Lebowski (CD by Mary Zophres), every outfit The Dude wears SCREAMS Dude.  Think of how different the whole film would be if not for Dude, Walter, and Donny's costumes; and how AMAZING is Jesus' costume?!?! I will also point out that it's not just the costume but how it is worn that is vital.  Everything is deliberate - it's no mistake when a character's clothes are a wrong size, or have sweat stains, etc.




2.  Is there a difference between costume design and fashion in film? - Are lines blurred with movies like Sex and the City and The Devil Wears Prada, especially in contrast to films like The Wizard of Oz and Gone with the Wind?



3.  Do you think one influences the other? - One example: after Adrian designed a white gown with exaggerated sleeves for Joan Crawford in Letty Lynton, Macy's began selling a copied version and stock sold out immediately.


4.  Unfortunately, many only know of Edith Head and Sandy Powell.  Who are other Costume Designers that must be noted? - I suggest looking up the work of Adrian, Travilla, Jean Louis, Walter Plunkett, and Helen Rose (who even designed Grace Kelly's wedding gown)


Stormy Weather (1943; CD by Helen Rose)





5.  What is the most iconic costume in film worn by a single character and how has it helped define him/her/it? 


6.  What film do you feel has the best use of costume design of all time? - Personal favorites are Saturday Night Fever (CD by Patrizia von Brandenstein) and The Women (gowns by Adrian)


7.  Are costumes more interesting in a period piece film or a contemporary film?


8.  What film had the best costume design from 2011-2012? (so far) - My vote? Drive (CD by Erin Benach).  The use of the scorpion jacket (and how it transitions with dirt, blood, etc.) absolutely captivated me.






9.  What film do you think had the worst costume design of all time? - I personally don't have an answer for this but I know some people who have issues with altering the classic uniforms of superheroes in many films (ex - a strict purist I know hated the minor changes made to Superman's uniform in Superman Returns).


10.  Which directors do you believe utlize(d) the power of costume design most effectively in their films?  - A strong case could be made for Hitchcock.  He was notorious for his extreme involvement in planning the costumes of his muses with Edith Head.  The costumes in his films were laden with symbolism; each detail mattered.
            

That's all for now.  I'm looking forward to hearing all your answers on Sunday!